This past Sunday Monica and I went to an incredibly fantastic concert. We thought it was an Of Montreal concert, which it was, but it was also an MGMT and Grand Buffet concert. For some reason the opening acts were not listed anywhere. We had debated going to the show for some time. We initially planned to go when the tickets went on sale. After we got online and went to order them we were horrified by the $14 increase in price by using Ticketmaster (they were $19 tickets) and didn’t click buy. We then planned to go to the box office but then didn’t. Since we had just seen Of Montreal at Pitchfork we thought it might be okay if we missed the show. Seeing as they played almost exclusively from their new album (Hissing Fauna, Are You The Destroyer?) at Pitchfork, we didn’t want to go see the same show, even though we like that album much better now than we had at the time. Friday after work we decided to get tickets. Since it was their show and not a festival it would have to be longer and therefore they couldn’t only play songs from the new album because they would have more time. It made sense.
As we walked up to The Metro and looked at the people standing in line I got a sick feeling in the pit of my stomach. I didn’t just feel old, I felt really old. Damn these all ages shows! I saw at least three people who brought their mothers because they weren’t old enough to go to the big city by themselves to see a show. The average age couldn’t have been over twenty and it may have been younger. We considered not standing in line with the youth but then got over ourselves and stood. When we got inside we went up to the front of the stage and ended up talking to some kids. They were really excited that we had been at Pitchfork. We were slightly uncomfortable both with their youth and the tight proximity of folks and noticed that the balcony was mostly clear and would provide an awesome view. We decided to be more comfortable and let the kids have their fun.
MGMT was real okay. I liked one of their songs. There were plenty of fans there who liked many of their songs. I was confused. I attributed it to my age and let it go. Grand Buffet was next. When I saw a large man that looked very much like Jay McCaroll of Project Runway fame wearing a cape made out of a towel I knew this band was going to be awesome. His bandmate was a skinny man who looked surprisingly like Satan, but a nice Satan. They were utterly awesome. Their banter was hilarious and they made a lot of fun of Of Montreal. They had a $15 budget and came up with a projection of Steve Martin eating dinner uncomfortably and some random props like a broom, a stuffed dog, and a cinder block not the sophisticated theatrics of Of Montreal but just as great. It was hilarious. Not to mention that their music was incredibly fun. I highly recommend seeing them if you ever have the chance. We danced like crazy and were afraid that their show was going to be better than Of Montreal, kind of like Jamie Liddell was at Pitchfork. Luckily we were wrong.
Of Montreal started out a little rough, which was surprising because they opened with one of my favorite songs, Labyrinthian Pomp, it just sounded a little crappy and off. They followed with another awesome yet off song, She’s a Rejecter. Then, without any segue went into Suffer for Fashion, it sounded awesome. Although I was somewhat dismayed because it was as if someone had started their album at song 11, let that and song 12 play, let the album restart at 1 and then played 2 and 3. Even though songs 11-12 and 1-3 flow into each other I wanted something different. Then came a new song which featured Kevin having relations with the floor, uuhhhh…okay. I was then afraid that it would only be new songs and Hissing Fauna. After Kevin wore the floor out they went into October is Eternal, an excellent instrumental piece (that we heard at pitchfork) and he went to change.
Imagine my elation when he came back out and I heard the opening notes of Oslo in the Summertime. OH MY GOD!!! I lost my shit. That is my jam and I certainly didn’t expect it. They followed with a whole bunch of excellent cuts from Sunlandic Twins mixed with Hissing Fauna. I even enjoyed The Past is a Grotesque Animal, which is one of the two songs I don’t always listen to on Hissing Fauna. It’s much better live. I still hated Bunny Ain’t No Kind of Rider I don’t know why people like that song. It is boring.
There were a few things that I would have loved to hear. Faberge Falls For Shuggie (the only Hissing Fauna song I really would have liked to hear and didn’t although A Sentence of Sorts in Kongsvinger would have been nice (part of me almost thinks I heard it but I didn’t), Wraith Pinned to The Mist and Other Games (which I will never hear because they don’t play it in this country anymore due to the mistake of turning it into an Outback Steakhouse commercial), and one of the many adorable songs I want to hug off Cherry Peel, The Bedside Drama, or Coquelicot Asleep In The Poppies (but I never will because they have moved past that stage in their careers). After the show Monica and I looked like we had been through it. My hair was as wet as if I had just stepped out of the shower and Monica looked like she had been at one of those 100 degree yoga sessions. Neither one of us had danced like that in…a very long time. At one point in time Monica asked me if we still like Belle and Sebastian better. I said yes. I think I might have changed my mind. But I’m not sure. We then went for snacks and wrote down the set list. Here it is
She's A Rejecter
Suffer for Fashion
Sink the Seine
Cato as a Pun
October is Eternal
Oslo in the Summertime
Forecast Fascist Future
The Past Is A Grotesque Animal
Requiem for OMM2
Bunny Ain't No Kind Of Rider
The Party's Crashing Us Now
Heimdalsgate Like A Promethean Curse
Rapture Rapes the Muses
I Was Never Young
2. The times we had/ Oh when wind would blow with rain and snow/ Were not all bad. Postcards From Italy, Beirut.
3. I wanna bathe in milk/ Eat grapes/ Robert DiNero sit on my face. Reeling, PJ Harvey